By David J. Libby, Paul Spickard, Susan Ditto
In 1968, Winthrop D. Jordan released his groundbreaking paintings White Over Black: American Attitudes towards the Negro, 1550-1812 and spread out new avenues for brooding about intercourse, slavery, race, and faith in American tradition. Over the process a forty-year profession on the college of California and the collage of Mississippi, he endured to write down approximately those concerns and to coach others to imagine in new methods approximately interactions of race, gender, religion, and tool. Written by means of former scholars of Jordan, those essays are a tribute to the profession of 1 of America's nice thinkers and maybe the main influential American historian of his iteration. The ebook visits ancient locales from Puritan New England and French Louisiana to nineteenth-century manhattan and Mississippi, the entire solution to Harlem swing golf equipment and school campuses within the 20th century. within the strategy, authors take heed to the voices of abolitionists and white supremacists, preachers and politicos, white farm girls and black sorority sisters, slaves, and jazz musicians. every one essay represents an immense contribution to the collection's higher topics and whilst illustrates the effect Jordan exerted at the scholarly lifetime of each one writer. jointly, those items exhibit the attentiveness to element and sensitivity to assets which are hallmarks of Jordan's personal paintings. David J. Libby, San Antonio, Texas, is the writer of Slavery and Frontier Mississippi: 1720-1835 (University Press of Mississippi). Paul Spickard, Santa Barbara, California, is the co-editor of Racial considering within the usa: Uncompleted Independence and the writer of combined Blood: Intermarriage and Ethnic identification in Twentieth-Century the United States. Susan Ditto, Oxford, Mississippi, is the affiliate editor of Mississippi ladies: Their Histories, Their Lives.
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Additional info for Affect and Power: Essays On Sex, Slavery, Race, and Religion
That a Bishop’s hands were sacred in my eyes, and that his were particularly so, because they had been laid upon the heads of many I loved in confirmation, and were about to be laid upon my husband’s head in ordination. He made but little answer, but for some little time let me alone. Mrs. Butler hoped it was just the alcohol and that the bishop meant no intentional insult. But while sitting in thought, I found he was again moving: I waited to see whether he might not be merely steadying himself in his seat, as the roads were rough, when he suddenly and violently again brought his hand upon my bosom, pressed and clasped it.
He first put his arm around my waist and drew me towards him; this he repeated once, perhaps twice. He had often done this when I was unmarried, 30 Patricia Cline Cohen and I had permitted it, although always disagreeable to me; because I believed him incapable of wrong. At this time, however, I removed his hand each time, because I saw that he was not himself. I was exceedingly fearful lest our driver should discover it. . The bishop persisted in putting his arm about me, and raised his hand so as to press my bosom.
I threw his hand from there; he immediately put it upon the lower part of my person. 11 The carriage was in the lane at the Beare’s house at this point, and the wife alighted and sought her husband’s help.