Blues Music Magazine #6 by EDITOR-IN-CHIEF: Art Tipaldi

By EDITOR-IN-CHIEF: Art Tipaldi

Http://www.bluesmusicmagazine.com/

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The blues songs are played in an economical guitar style that will have you smiling at the fingerpicking talent that he possesses. As they say in New Orleans, “I guaran-damn-tee you” once you purchase this double CD you will immediately want to play it for your friends, it’s the next best thing to seeing Chris Smither live. – Pete Sardon WILL KIMBROUGH Sideshow Love Daphne Every city’s music scene has its local heroes, but in a town with as many master players as Nashville that’s a hard-won status, and ace guitarist, singer, and songwriter Will Kimbrough has been at the forefront for more than 20 years.

The hands belong to Anson Funderburgh and Little Charlie Baty, and the lips are attached to Mark Hummel. As for the revue, that’s the audience participation part where they show up and marvel at what’s going on a few feet in front of them. Left Coast denizens Hummel (harp) and Baty (guitar) represented the Golden State contingent, while Funderburgh carried the Texas banner. Bassist R W Grigsby (Carlene Carter, Mike Morgan and the Crawl) and drummer Wes Starr (Omar and the Howlers, Asleep at the Wheel, Anson And The Rockets) are Georgia boys who have worked together on and off since they were in high school.

John Coltrane’s “Mr. ” allows extended workouts for the rhythm section, and proves there are no slouches in this band. “Song For Life” lets Johnson showcase his acoustic guitar talents, demonstrating his fingerpicking prowess is equal whether plugged or unplugged. Grammy nominated “Zap” and “Fatdaddy” should come with a warning to “fasten your seat belt” for the rousing, raucous, ferocious riffing featured. His hit from 30 years ago, “Cliffs Of Dover,” sounds as fresh as when it captivated FM radio back in the day.

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